Uncovering Urban Legacies: Icons of Mumbai – Museums, Mills, and Backbay Reclamation

Culture and Heritage
History, Urban Future
Panel Discussion
Wednesday, 22nd April 2026
From 6:30pm to 8:00pm (IST)
Free

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Spaces of memory, industry, and urban ambition have long defined Bombay’s character.  In intimate galleries tucked into historic neighbourhoods, along the smoky skylines of Girangaon, and across the city’s contested shoreline, the making of modern Mumbai unfolded, shaped by collective ideals, working-class enterprise, and bold, sometimes unfinished, visions of expansion.

For the sixth episode of our Icons series, we turn to landmarks that transformed how the city remembered, laboured, and expanded. From the heritage preserved at the BEST Transport Museum to the quiet, contemplative legacy of Mani Bhavan Gandhi Sangrahalaya, Mumbai’s smaller, lesser-known museums offer textured, deeply personal narratives of the city’s past. The decline of the mills, culminating in the Great Textile Strike of 1982, and the subsequent redevelopment of mill lands marked a profound shift in both skyline and society. Beyond land and labour, the sea itself became a terrain of ambition. The Backbay Reclamation scheme, first imagined in the 1860s, remains a reminder of the city’s long-standing effort to reshape its coastline in response to growth and changing urban needs.

Join us as we trace how these landmarks continue to shape Mumbai’s evolving identity, memory, and urban future.


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Faculty

Neera Adarkar

Neera Adarkar

Architect and Urbanist

Neera Adarkar is a practicing architect and an urbanist based in Mumbai. She is the chairperson and one of the founder trustees of the School of Environment and Architecture, SEA; a graduate school of architecture in Mumbai. Neera has been awarded an Honorary Doctorate by the department of Urban planning, Urbanism and Architecture of the Katholieke University, Belgium. Neera is running a joint practice under Adarkar Associates, engaged in architecture, planning, conservation and urban research. Neera’s work emerges from deep concern of social, urban and gender issues. Neera has actively participated in the struggle for the comprehensive preservation of textile mill lands of Mumbai.There are four major books to her credit: ‘One Hundred Years One Hundred Voices: Oral History of Millworkers of Girangaon’ (2004) coauthored with Meena Menon;  and its ‘Marathi version ‘Katha Mumbaichya Girangavchi. ‘The Chawls of Mumbai: Galleries of Life’ (2011). ‘MultiliCities: Urban Cultures of Mumbai Metropolitan Region, published by the Heritage Conservation Society of MMRDA. (2020)

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Aparna Andhare

Aparna Andhare

Art Historian and Curator

Aparna Andhare is an independent art historian, curator, and writer. She was a curator at the Maharaja Sawai Man Singh II Museum, City Palace, Jaipur, and used to be a television producer and reporter before she changed tack to art history. She has studied at the School of Arts and Aesthetics, JNU (MA, 2010-12), and at the University of Edinburgh (2016-17). She is currently based in Pune, and is working on silverware at Zapurza Museum of Art, under the aegis of the India Foundation for Arts’ Archive and Museum grant.

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Bharat Gothoskar

Bharat Gothoskar

Founder & Heritage Evangelist-in-Chief, Khaki Tours

Bharat Gothoskar studied mechanical engineering and has a postgraduate degree in Business Administration. He worked with Indian multinational companies like Godrej, Pidilite, and Mahindra before giving up his corporate career to devote time to evangelizing heritage in Mumbai. He has founded two institutions in this space: the experiential heritage travel company, Khaki Tours, and its not-for-profit counterpart, the Khaki Heritage Foundation, which focuses on heritage awareness, archiving, and conservation. Under the aegis of the Foundation, he has started the cultural space KHAKI Lab, where he hopes to incubate the heritage bug and infect future generations with it. His mission is to make Mumbaikars proud of their city’s heritage. He is also the Curator for Heritage Walks at the Kala Ghoda Arts Festival.

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Mrinal Kapadia

Mrinal Kapadia

Film Producer and Founder, India Visual Art Archive

Mrinal Kapadia, while pursuing his studies in Industrial Engineering, maintained a strong parallel interest in History and Archaeology. He nearly completed a minor degree in Classical European Archaeology at the University of Michigan, Ann Arbor. Following a brief stint as a Business Management Consultant, he went on to engage in multiple business ventures, including Film Production.In 2020, he formally consolidated his passion for history by founding the India Visual Art Archive - an initiative dedicated to collecting antique art and imagery, with the aim of exploring the relationship between art and historical narratives. Through independent research, the archive currently concentrates on Company School works from the erstwhile Bombay Presidency, with a particular emphasis on the former Bombay Island.

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Collaborations

National Gallery of Modern Art
National Gallery of Modern Art
Ministry of Culture, Government of India
Ministry of Culture, Government of India
Kala Ghoda Association
Kala Ghoda Association

Press Coverage

Discover the unseen

Discover the unseen

Wednesday, April 22, 2026 Mumbai Mirror
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Blog

Mumbai is a city shaped by memory, labour and ambition. Its identity continues to evolve through spaces that carry stories of its past, stories of how the city has remembered, worked and expanded over time. The urban history of South Mumbai offers a compelling lens into this journey, where colonial-era institutions, industrial districts and reclaimed land exist side by side, reflecting a city that has constantly reinvented itself.

One of the most meaningful ways to understand this layered history is through its cultural institutions. Often overlooked, Mumbai’s lesser-known museums offer deeply personal insights into the city’s evolution. The BEST Transport Museum captures the everyday rhythm of the city through its public transport legacy, preserving an important part of its social fabric. In contrast, the Mani Bhavan Gandhi Sangrahalaya provides a quiet, reflective space rooted in the Mani Bhavan Gandhi Sangrahalaya history, where the ideals of India’s freedom movement continue to inspire. Together, these spaces show that memory is not only held in grand monuments, but also in smaller, intimate places that reflect lived experiences.

Mumbai’s industrial past is equally central to its story. Neighbourhoods like Girgaon were once at the heart of the city’s textile industry and the Girgaon mill land history speaks of a time when Bombay was a thriving manufacturing hub. This narrative changed significantly after the Great Textile Strike of 1982. The Great Textile Strike of 1982 impact reshaped the city’s economic and social structure, leading to the closure of mills and setting the stage for the Mumbai textile mill redevelopment legacy seen today. Former industrial lands have since been transformed into commercial and residential developments, marking a shift not just in the skyline but also in the lives of communities. This transition remains a key part of conversations around Bombay industrial heritage and labor.

Beyond land, the sea has also played a defining role in shaping Mumbai. The Backbay Reclamation scheme history can be traced back to the Bombay reclamation 1860s, when ambitious plans were introduced to expand the city’s coastline. These efforts contributed to the evolution of Mumbai coastline, reflecting a vision of growth driven by both necessity and aspiration. While some of these projects remained incomplete, they were instrumental in the making of modern Mumbai architecture, influencing how South Mumbai developed into the urban landscape we recognise today.

The city’s cultural and intellectual life continues to be anchored by its public institutions. Spaces like Sir Cowasji Jahangir Public Hall host a range of Sir Cowasji Jahangir Public Hall events, encouraging dialogue and community engagement. Similarly, the National Gallery of Modern Art plays a vital role in presenting NGMA Mumbai heritage events, where art, history, and contemporary thought come together. These institutions create continuity, connecting past narratives with present-day conversations.

What makes Mumbai unique is how these different layers - museums, mills and reclamation, intersect. They tell a story not just of physical transformation, but of people, communities, and shared histories. From the resilience of mill workers to the ambition behind reshaping the coastline, each element adds depth to the city’s identity.

Looking at Mumbai through this lens encourages a deeper appreciation of the spaces we often overlook. It reminds us that the city is not just a place of constant motion, but a living archive of its past. By engaging with these histories, we begin to understand how they continue to shape Mumbai’s present and influence its future.

 

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