Imagine stepping into the timeless realm of a
master architect whose works are more than structures – they are living stories
etched into the very fabric of space. From a humble field chapel in Wachendorf,
Germany, to the ethereal thermal baths in Vals, Switzerland, Peter
Zumthor's creations invite you to experience architecture in its most
profound form.
Set against the grandeur of the Royal Opera House, an emblem of architectural
heritage, the special event is part of the Swiss-Indian friendship jubilee celebrations.
Witness a symphony of architectural brilliance as the maestros enrich you with
a deeper appreciation of minimalism and innovation that seamlessly weaves
contemporary design into historical layers.
Join us for an evening of immersion into the heart
and soul of architecture and witness the magic behind the buildings that
breathe life into spaces.
Peter Zumthor’s Architectural Philosophy
Peter Zumthor is renowned for his unique
approach to architecture, emphasizing the importance of firsthand experiences
over reliance on descriptions or readings. His work delves into the tactile and
sensory qualities of materials and spaces, maintaining a minimalist feel.
Zumthor believes that architecture should be directly experienced, allowing
individuals to engage with the physicality of the space and its sensory elements.
Immersing oneself in the environment enables a genuine appreciation of the
nuances and subtleties often missed through mere observation or description. By
prioritizing sensory experiences, Zumthor aims to create architectural designs
that not only provide functional spaces but also elicit an emotional response
from visitors. He asserts that these sensory experiences help people retain
memories of a place long after they have left. In his book "Thinking
Architecture," Zumthor elaborates on his philosophical approach to
architecture, emphasizing the significance of paying attention to minor details
in both the planning and construction processes. This narrative technique
allows him to create spaces that evoke emotional responses and leave a lasting impression
on those who experience them.
Significant Projects by Peter Zumthor
Brother Klaus Field Chapel, completed in 2007
and situated in Wachendorf, Eifel, Germany, was commissioned by farmer
Hermann-Josef Scheidtweiler and his wife Trudel. One hundred twelve tree trunks
were arranged in a tent-like configuration in the chapel interior, followed by
ramming with concrete to create 50cm thick multiple layers. The tree trunks
were dried with a smoldering fire for several weeks and then removed from the
concrete shell.
The Kolumba Art Museum of the Cologne
Archdiocese, also completed in 2007, is another project by Zumthor. It features
seventeen galleries showcasing permanent collections from late antiquity to the
present. His other notable works include Luzi House in Jenaz, the Spittelhof
Estate in Switzerland, and the Swiss Sound Box, Swiss Pavilion, and Expo 2000
in Hanover, Germany.
Architectural Conservation with Abha Narain Lambah
Abha Narain Lambah has an educational
background in architectural conservation from the School of Planning and
Architecture, New Delhi. She gained further knowledge while working with the
American architect Joseph Allen Stein, who designed multiple iconic buildings
in Delhi. Abha believes that most designs and architecture should respond to a
historical context. She also advocates for the adoption of contextual design
concepts in India's buildings. She established her architectural conservation
firm in 1998. Some of her notable conservation projects include Bikaner House
in Delhi, the 15th-century Maitreya Buddha temple in Ladakh, temples in Hampi,
and the revival of 19th-century Victorian landmarks in Mumbai. This includes
the restoration of the Royal Opera House, Town Hall, Asiatic Library, and
Elphinstone College.
The Restoration Story of the Royal Opera House, Mumbai
The Royal Opera House, Mumbai is widely touted as Mumbai’s Cultural
Crown Jewel and India’s only surviving Opera House. Owned by the Royal Family
of Gondal since 1952 and was eventually restored by conservation architect,
Abha Narain Lambah under the leadership of His Highness, Maharaja Shri
Jyotendrasinhji of Gondal. Now one of the last remaining Baroque structures in
the city, the restoration started in 2008 and the building was opened to the
public in after 23 years in October 2016. The restored facilities feature a
575-seater 3-level auditorium with an orchestra pit and state of the art
technological upgradations, including acoustics, stagecraft, lighting and
air-conditioning, alongside retaining the old world charm of the proscenium
stage, the royal boxes and the magnificent regal chandeliers. The building has
since been recognized with an Award of Merit in the 2017 UNESCO Asia-Pacific
Awards for Cultural Heritage Conservation.