Travel back in time to the Treta Yug to witness the Ramayana unfold in Lanka. Unmasked is a dance-theater dramedy, that takes the audience on a unique journey through the eyes of some, often overlooked yet, pivotal characters of the Ramayana, leaving one to question age-old definitions of good and evil.
The production has been directed by critically acclaimed Bharatanatyam artiste and choreographer, Jyotsna Shourie and produced by dancer-producer Aneesha Grover. The music has been created by award-winning composer Daniel B George and vocals by Carnatic maestro OS Arun.
The production is a mélange of Bharatanatyam and contemporary dance, comedy and theater, mythology and fiction. This is a unique production you don’t want to miss!
Indian Classical Dance
Natya Shastra is regarded as the sacred text in Sanskrit for all performing art forms. The art forms are classified into three major categories Nritta, Nrtiya, and Natya according to the Natya Shastra. ‘Indian classical dance’ is the broader term used together for eight other dance forms originating from the Natya Shastra. Technique and style are the most significant elements of every classical dance form. These dance forms aim to depict ‘Rasanubhuti’ comprising of nine emotions called Raudra, Bhayanaka, Sringara, Veera, Hasya, Karuna, Adbhuta, Bibhatsa, and Shanta. The different classical dance forms include Bharatanatyam, Kathak, Kathakali, Mohiniyattam, Odissi, Kuchipudi, Sattriya, and Manipuri.
Bharatanatyam
The term Bharatanatyam is a combination of ‘Bha’ from Bhava which means emotions, ‘Ra’from Raga meaning musical notes, ‘Ta’ from Taal meaning Rhythm, and Natyam is the Sanskrit word for Drama. Bharatanatyam traces its lineage to the Devadasi tradition and dance form called ‘Sadir Attam’ popular in the Temples of South India. The history of the origin, techniques, mudras, and body movements involved in the dance form is based on Abhinaya Darpana, written by Nandikeswara. This dance form is based on Tandava and Lasaya mentioned in the Natyashastra. The two main elements of Bharatanatyam are Nritta which involves pure dance and rigorous footwork and Nritya, a combination of footwork with abhinaya meaning to express.
Banis of
Bharatnatyam
Banis is the term used for various styles of Bharatnatyam. These styles emerged as the dance traveled from the cultural center of Tanjavur to other places in South India. Every Guru/teacher modified and altered the art form in a unique way creating multiple styles of dance. The Tanjavur Style is one of the oldest bani styles with the Gurus being descendants of the Tanjore Quartette, Pandanallur Style is attributed to Guru Minakshisundaram Pillai and the name is derived from the name of the village Pandalanur in Thanjavur where she resided, Vazhavur Style focuses on the concept of Lasya and the Srirangara rasa founded by Ramiah Pillai, Kalakshetra Style focuses on the Abhinaya style and was created by the founder of Kalakshetra Institute in Chennai, Rukmini Devi, and Mellatur Style are various Banis of Bharatnatyam.
Ramayana
Ramayana is India’s most well know epic greatly influencing the art and culture of the Indian subcontinent and South East Asia. It comprises 24000 couplets divided into seven books composed in Sanskrit by the sage Valmiki in roughly around 500BCE to 100 BCE. The story of Rama, the hero in the Ramayana epic, an incarnation of the God Vishnu has been transformed into various poetic and dramatic versions by various authors and we also see its representation in sculptures of the temple walls. Dance-dramas, village theatre traditions, shadow-puppet theatre, and the annual Ramlila performance across the country use the story of Ramayana as the primary script.