Intersections: Arts, Culture & Technology

Culture and Heritage
Technology
Symposium
Friday, 7th July 2023
From 10:30am to 6:00pm (IST)
Free

Details

On the occasion of Bengaluru Cultural Tracker organized as part of the Culture Working Group under India’s G20 Presidency, join us for a day-long conference where industry experts, policymakers, and cultural practitioners will come together to advance the dialogue on the use of digital technologies for the protection and preservation of cultural heritage.


SESSION DETAILS

10:00 AM - 10:30 AM | REGISTRATIONS

10:35 AM - 10:50 AM | PRESENTATION | CONTEXT SETTING : CONVENORS

Co-Founder, Art Links Learning and Member of FICCI Arts & Culture Committee Sadhana Rao

SVP, Essar Group, CEO, Avid Learning, Curator, Royal Opera House, Mumbai & Member of FICCI Arts & Culture Committee Asad Lalljee


10:50 AM - 11:05 AM | PRESENTATION | VALUE OF ARTS

Managing Director, Teamwork Arts & Co-Chair, FICCI Creative Industries Sanjoy K. Roy


11:05 AM - 11:20 AM | PRESENTATION | CREATIVE SECTOR OVERVIEW

Past President, FICCI; Mentor, FICCI Tourism & Culture Committee & CMD, The Lalit Suri Hospitality Group Dr. Jyotsna Suri


11:20 AM - 11:35 AM | PRESENTATION | UNESCO OVERVIEW

Programme Officer for Culture at UNESCO New Delhi, Ankush Seth


11:35 AM - 11:50 AM | BREAK


11:50 AM - 12:10 PM | PRESENTATION | FROM BRICK & MORTAR TO METAVERSE

Director, Bangalore International Centre V Ravichandar


12:15 PM - 01:30 PM | PANEL DISCUSSION | LOG THE ANALOG

Art Curator, Researcher and Writer Tanya Abraham

AI and New Media Artist, Harshit Agrawal

Director, Indian Music Experience Museum Bangalore Preema John

Hindustani Classical Vocalist & Professor, Performing Arts, O.P. Jindal Global University Priya Kanungo

Managing Director, Teamwork Arts & Co-Chair, FICCI Creative Industries Sanjoy K. Roy

Co-Founder, Art Links Learning and Member of FICCI Arts & Culture Committee Sadhana Rao (Moderator)


01:30 PM - 02:45 PM | LUNCH


02:45 PM - 3:00 PM | PERFORMANCE | LINKING ART & TECHNOLOGY

Hindustani Classical Vocalist & Professor, Performing Arts, O.P. Jindal Global University Priya Kanungo


03:00 PM - 03:20 PM | LECTURE-DEMONSTRATION | DO WIRES DREAM OF VEINS: AN ARTIST’S EXPERIMENTS WITH TECHNOLOGY

AI and New Media Artist, Harshit Agrawal


03:25 PM - 04:40 PM | PANEL DISCUSSION | DIGITAL TRANSFORMATION OF CULTURE: EXPLORING AI'S ROLE

Indian Sci-Fi Creator, Screenwriter, and VP of Development, BANG BANG Mediacorp Prateek Arora

Director, Infosys Foundation Shrutkeerti Khurana

Founder Director, BeFantastic.in Kamya Ramachandran

Managing Partner - India, Celesta Capital Sudhir Rao

Founder, Maker's Legal Pankhuri Upadhyay

SVPEssar Group, CEO, Avid Learning, Curator, Royal Opera House, Mumbai & Member of FICCI Arts & Culture Committee Asad Lalljee (Moderator)


04:40 PM - 04:55 PM | BREAK


04:55 PM - 05:10 PM | PRESENTATION | INTERSECTIONS: ARTS AND TECHNOLOGY -  BRITISH COUNCIL OVERVIEW

Director of Arts in India, British Council Jonathan Kennedy


05:10 PM - 06:10 PM | PRESENTATION AND WALKTHROUGH | MAP EXPERIENCE - THE REAL AND THE VIRTUAL

Presentation and Walkthrough by Director, Museum of Art & Photography, Bengaluru Kamini Sawhney

 



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Intersections: Arts, Culture & Technology
Intersections: Arts, Culture & Technology
Intersections: Arts, Culture & Technology
Intersections: Arts, Culture & Technology

Faculty

Asad Lalljee

Asad Lalljee

SVP, Essar Group, CEO, Avid Learning, and Curator, Royal Opera House, Mumbai

Asad Lalljee is SVP, Essar Group, CEO of Avid Learning, a public programming initiative and creative platform under the Essar Group, and Curator, Royal Opera House, Mumbai. Prior to relocating to India, Asad worked for 14 years as one of the ‘Mad Men’ advertising executives on New York's Madison Avenue. Asad has transformed Avid Learning into India’s leading cultural hub through international collaborations and partnering with the biggest art platforms in the country. Since the restoration of the Royal Opera House, Asad’a curatorial programming has re-established its reputation as the city’s cultural crown jewel. He is also serving on the Kala Ghoda Association’s Executive Committee and the advisory board of the Mumbai Urban Art Festival for 2022-23. In the midst of the pandemic (April 2020), Asad pivoted from AVID to AVID ONLINE, presenting 240 programs in a year. An early technology trend adopter, he takes a special interest in new media curating programs around NFTs and the cyberfuture.

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Sadhana Rao

Sadhana Rao

Co-Founder, Art Links Learning

Sadhana Rao is a research-led writer and curator in the Arts & Culture spaces. She has written on Arts, Film festivals, Music, Crafts, Travel, Literature, & Socio-Economics for leading publications. As a curator, Sadhana works with artists and conservatories across genres to weave narrative-backed lecture demonstrations and performances. Amalgamating pedagogy, artistic diversity and inclusivity, her endeavours find home among myriad platforms, from academic conclaves to the community at large. Building on the plinth of her research and writing experience, Sadhana has been a Contributor, Curator, Speaker and Moderator for music, literature, art and film segments at festivals and platforms including Mahindra Kabira Festival, Cannes Film Festival, AVID Learning, Royal Opera House Mumbai, Think Fest, Bangalore Literature Festival, Bangalore International Centre, Jaipur Literature Festival, FICCI - Creative Industries as well as Corporate summits. With her sustained interest in Arts’ pedagogies, she founded Art Links Learning to create age appropriate curriculum for imparting Music and Arts Intelligence. A Masters in Social Work from Delhi University, she honed her research, consulting and execution skills at the Administrative Staff College of India. Living in Bangalore she continues to be a student of the Arts. 

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Ankush Seth

Ankush Seth

Programme Officer for Culture at UNESCO New Delhi

Ankush Seth A socio-cultural entrepreneur and development professional, Ankush Seth has expertise in working with South Asia’s creative and culture sector. He has held key positions, such as that of Executive Director of the Asian Heritage Foundation, and has worked closely with organisations like the World Bank, the Government of India and the Government of Nepal. Since 2019, as the Founding Trustee of MATEE, Ankush has been working independently to develop intellectual properties and models to serve Creative and Cultural Industries. He also supports and advises several cultural enterprises including the Raghu Rai Foundation, the Indian Crafts Village Trust, the Development Alternatives Group and the Nepal based Chaudhary Foundation. Over the last decade, he has emerged as a unique creative professional and thought leader, recognised in the creative and cultural sector in South Asia for his impact-driven and innovative work. At the UNESCO New Delhi Multisectoral Regional Office (which is mandated to cover the six South Asian countries of Bangladesh, Bhutan, India, Maldives, Nepal and Sri Lanka), Ankush serves as Programme Officer for Culture. Here, he works across the large and diverse gambit of the Creative and Cultural Industries within the region in an inter-disciplinary and proactive manner. He also spearheads the design and conceptualisation of new projects and the identification of potential partnership opportunities that could benefit the culture sector.

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Sanjoy K. Roy

Sanjoy K. Roy

Managing Director, Teamwork Arts & Co-Chair, FICCI Creative Industries

Sanjoy K. Roy, an entrepreneur of the arts, is Managing Director of Teamwork Arts, which produces over 25 highly acclaimed performing arts, visual arts and literary festivals across 40 cities including the world’s largest free literary gathering — the annual ZEE Jaipur Literature Festival. Roy, a National Award awardee for the film Shahjahanabad: The Twilight Years, is a founder trustee of Salaam Baalak Trust (SBT) working to provide support services for street and working children in the inner city of Delhi. In 2011 the White House presented SBT the US President’s Committee of Arts and Humanities Award for an International Organisation.

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V Ravichandar

V Ravichandar

Hon. Director, Bangalore International Centre

V Ravichandar is currently the Hon Director, Bangalore International Centre and is part of the core team that organizes the Bangalore Literature Festival annually. He is also the Hon Consul, Republic of Slovenia in Bangalore. He was Co-Chair of the Karnataka Tourism Vision Group during 2013-16. Since 2000, Ravichandar has been involved with pro bono initiatives with the State and Central Government on urban issues. Ravichandar assists multiple social and cultural initiatives. Ravichandar has a Mechanical Engineering degree from the BITS, Pilani and an MBA from the IIM, Ahmedabad. 

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Tanya Abraham

Tanya Abraham

Artist, Art Curator, and Writer

Tanya Abraham is a writer and an art curator, and the founder of The Art Outreach Society (TAOS), a non profit organisation that works towards social and individual change using art as a tool.  To her credit are collateral projects at the Kochi Muziris Biennale, including the popular public art project Red Crown-Green Project tracing the lost heritage of Malabari Jews in Jew Town in Kochi, Kerala (2018) and “A Place at the Table”, querying gender positioning and situated knowledges (2022). Tanya is the author of two books on heritage and culture: “Eating with History; Ancient Trade Influenced Cuisines of Kerala” and “Fort Cochin, History and Untold Stories”- which was listed in New York Times in 2023 as one of the must reads on Kerala. In 2010, UNESCO nominated her for the Asia Pacific Heritage Awards for her contribution to the restoration of a historical Dutch building in Fort Kochi, to an economically viable project.Tanya has also won the NGO leadership award granted by the organisation World Leadership Day, in 2017 for her work with The Art Outreach Society,  is the recipient of the 2018 Award “Iconic Women Creating Change” by Women Economic Forum, Birmingham, UK and was also presented the “Social Innovator Award”, presented by “e unnathi”, Women’s Conclave 2019 in Kochi. Her other awards are the “South Indian Women Achievers’ Award” in Art and Culture by Syrafill and the “Kerala Women Leader Award” by World Women Leadership Congress in 2023. She has Masters in Journalism from the London School of journalism, UK, and in Arts Administration from the University of Kentucky, USA. Tanya is a PhD Scholar in Curating at the Zurich University of the Arts, Switzerland-University of Reading, UK. Tanya is a mother, and lives in Kochi.

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Preema John

Preema John

Director, Indian Music Experience Museum Bangalore

Preema John is the Director of Indian Music Experience Museum, Bangalore. It is India’s first and only interactive music museum, dedicated to showcasing the history and development of music in India. Preema is a critically engaged arts administrator and cultural producer, inspired by the power of art to transform individuals and communities. She works across disciplines with a focus on public access, public presentation and reception of art. She has worked on several national and international cultural projects, and held leadership positions in arts organizations including Dr Bhau Daji Lad Museum, Asia Society and Kochi Biennale Foundation. A Fulbright Fellow, she was previously Head of Art for Maker Maxity/Jio World Drive and Deputy Director of Asia Society India Centre in Mumbai. She holds a Masters in Arts Administration & Cultural Policy from School of the Art Institute of Chicago and a Masters in Arts & Aesthetics from Jawaharlal Nehru University.

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Priya Kanungo

Priya Kanungo

Hindustani Classical Vocalist & Professor, Performing Arts O.P. Jindal Global University

A vocalist, Priya Kanungo has been a disciple of Pundit Amarnath of the Indore Gharana, Pundit Deepak Chatterjee of the Seheswan Gharana, and Pandit Rajan Misra of the Banaras Gharana. At present, she is under the guidance of Pt Vidyadhar Vyas of the Gwalior Gharana. Apart from having trained under these stalwarts, she has an M.A., M.Phil, and Ph.D in Hindustani Vocal Music from Delhi University. She has been awarded the National Talent Scholarship by the Ministry of Culture, Government of India, and has been Advisor, DD Bharati, a television channel dedicated to art and culture. She has also taught an introductory course in Hindustani Music at Yale University, USA, in 2010, and at Ashoka University, Haryana (India), in 2014. Since January 2017, she teaches music and writing at O P Jindal Global University, in Sonipat, Haryana. Priya sings khayal, thumris, bhajans, ghazals, and film songs. She is happy to experiment with different genres of music, and to collaborate with artistes from varied fields. Apart from her interest in music, Priya has a degree in Commerce from Lady Shri Ram College, Delhi University, and has worked as a journalist with The Financial Express, The Economic Times, Business Standard and Hindustan Times.

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Prateek Arora

Prateek Arora

Indian Sci-Fi Creator, Screenwriter, and VP of Development, BANG BANG Mediacorp

Prateek Arora is a writer experimenting with AI image-making to generate new fictional worlds and alternative realities. He works in the entertainment industry and his work is heavily informed by that context. His initial engagement with image-making was as a street photographer while studying in Delhi. Prateek’s work examines the impact of popular culture on memory and identity, technological progress as an index of cultural change, and the potency of genre cinema as a conduit for otherwise repressed or censored ideas. Prateek’s work has been featured in publications such as Homegrown, Grazia, Designboom, and WePresent.

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Shrutkeerti Khurana

Shrutkeerti Khurana

Director, Infosys Foundation

Shrutkeerti Khurana is Director at Infosys Foundation leading its CSR activities and operations in the fields of education, healthcare, women empowerment, rural development, destitute care, and arts and culture. With an academic background in engineering and business management, her 20+ years of varied experience spans corporate, non-profit and government organizations through her work with Oracle Financial Services, All India Radio, Citibank and Dell across India, Singapore and USA. In her parallel life, Shrutee is an independent and accomplished editor who enjoys working with various authors (including Sudha Murty and Late President APJ Abdul Kalam) in the genres of fiction, non-fiction, and children’s books. She is also on the advisory board of the nonprofit Voice of Stray Dogs.

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Kamya Ramachandran

Kamya Ramachandran

Founder Director, BeFantastic.in

Kamya (she/her) is a trained architect, researcher and design educator with career experience spanning multiple geographies from the UK, USA, India and now Singapore. She has helmed Bangalore's premier Tech & Art organization Jaaga, with a focus on its public arts & design programs since 2014. This led to her current position as the Founder-Director of BeFantastic as well as Festival Director & CoCurator of Bangalore’s TechArt Festival series, the latest of which is FutureFantastic.in. Kamya is passionate about convening and engaging diverse collaborative communities for a better world. With a keen eye for conceptualizing and manifesting programs with socio-environmental themes at its core, Kamya is adept at engaging a variety of stakeholders ranging from government, non-profits and corporates  to artists and audiences alike.  

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Sudhir Rao

Sudhir Rao

Managing Partner - India, Celesta Capital

Sudhir Rao has over 40 years of Enterprise-building experience as an Entrepreneur, Scale-Up Advisor and Venture capital Fund manager.He is Managing Partner of Celesta Capital - India, a Global Technology Venture Fund platform and Professor of Practice at the IFMR Graduate School of Business, Krea University. He is a Chartered Accountant (ICAI) and a Chartered Management Accountant ( CIMA ) Celesta, through their Funds in the USA and India currently manage over a billion dollars targeted at Early to Growth Stage Technology enterprises. They work on scaling up disruptive technology companies globally. Their DeepTech and Industry Transformer investments are currently in Semiconductors, Systems, Sensors, Robotics, Drones, 5G technologies & Data engineering. The technology stacks are applied over a range of industries including Agriculture, Construction, Healthcare & Bio-convergence, Education, Advanced Manufacturing & Integrated Supply chains for flexible Demand fulfilment. Between 1989 and 1999 he was Founder Director of Karvy Investor Services Ltd. involved in scaling up their Investor Services, Merchant Banking and Retail Financial services portfolio. Karvy then managed over 20 Mn Shareholder Services Accounts for over 250 Corporate & Mutual Fund clients with over 4000+ colleagues across India. He is an Independent Director on several Boards including Aditya Birla Money Ltd., RBL FinServe Ltd. and Radhakrishna Foodland Pvt Ltd apart from being a Nominee Director in companies invested into by the Fund and The Chennai Angels.He lives in Bengaluru with his wife Sadhana, an Arts & Culture Curator, Writer & Educationist and their son Arnav, a trained Lawyer, Stand-Up comedian & Screenwriter. He’s a Charter Member of TiE and The Chennai Angels.

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Pankhuri Upadhyay

Pankhuri Upadhyay

Founder, Maker's Legal

Pankhuri Upadhyay has over a decade of experience in corporate law, having worked at leading law firms in India. She is now the founder of Maker's Legal, a full-service law firm with a strong focus on intellectual property, media, and entertainment laws. One of the primary objectives of the firm, since its inception, has been proactive engagement with the creative community and quantitative research to help better the legal infrastructure for creators in India. This includes anticipating and preparing for legal challenges that innovations in media and technology bring about. Given the rapidly evolving nature of these systems, there is an urgent need for active discourse, problem-solving and equally innovative strategies around concepts of intellectual property along with the legal infrastructure that supports the execution of new media. Maker's Legal strives to work at this intersection of 'future' law, research, education, multimedia, and technology and the facilitation of intermediary processes.

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Kamini Sawhney

Kamini Sawhney

Museum of Art and Photography - MAP Bangalore

As the Museum of Art & Photography's (MAP) founding Director, Kamini Sawhney has brought together a young, inspired team that is focused on creating a new museum experience for audiences in India. She has helped shape a vision for MAP that seeks to democratize art through an accessible, inclusive space where everyone feels welcome. MAP opened to the public on the 18th of February to critical acclaim from the local and international press as well as leaders from the art world while proving to be a magnet for the city’s diverse communities. The opening exhibitions of the museum that Sawhney visualized along with her curatorial team have been particularly well received. Visible /Invisible - the presentation of the permanent collection has been defined as a “tour de force” and explores a narrative that has often been neglected in India -  the invisibilization of women in public spaces while they continue to be a central subject in the arts.   Sawhney spearheaded the earlier launch of MAP as a digital first museum in December 2020, at the height of  the pandemic, enabling MAP to connect with audiences across the world and showcase its collection through a series of online exhibitions, learning and outreach. Her virtual programme - The Director’s Cut - is a fireside chat with some of the leading names in the art world including Tristram Hunt of the V&A, Cecilia Alemani, Curator of the Venice Biennale, 2022,  Tom Campbell, Director, Fine Arts Museums, San Francisco and Victoria Noorthorn, director of Museo Moderno, Buenos Aires. Elected to the Board of CIMAM(International Committee for Museums and Collections of Modern Art) last year, Sawhney is the first Indian to hold that position and hopes to reflect the views and challenges  of the global South through this forum.

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Dr. Jyotsna Suri

Dr. Jyotsna Suri

Past President, FICCI & Chairperson, FICCI Tourism Committee & CMD, The Lalit Suri Hospitality Group

Dr Jyotsna Suri has been associated with Bharat Hotels since its inception. In 2006, she took on the mantle of Chairperson & Managing Director. Under her stewardship, The Lalit Suri Hospitality Group became one of the leading privately-owned domestic hotel brands in India, with a focus on the luxury segment. The Group operates 12 luxury hotels, palaces and resorts under The LaLiT brand and two mid-segment hotels under The LaLiT Traveller brand across India’s key business and leisure travel destinations. Dr Jyotsna Suri is known for her extensive promotion of Indian Tourism - both domestic and international. ‘Developing Destinations and not just hotels’ is her conviction. She believes in involving local people in initiatives that bring popularity to the destination, in turn boosting tourism and thereby, prosperity to the region. Dr Suri holds various portfolios with Industry Associations – Past President FICCI; Mentor, FICCI Tourism & Culture Committee; Mentor of the Diversity and Inclusion task force at FICCI, Executive Member of HAI; Council Member of World Travel & Tourism Council, India Initiative; Member of Board of Governors for National Council for Hotel Management and Catering Technology and Member of Board of Governors of Indian Institute of Corporate Affairs. Dr. Suri has been the recipient of over 30 National and International awards and recognitions. In November 2019, she was conferred with the Order of The Rising Sun, Gold and Silver Star by Japan Government for her contribution towards strengthening strategic ties between India and Japan in economic and tourism sectors. She is the first Indian Woman to have received the Imperial honour since its commencement for foreign nationals in 1981.

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Jonathan Kennedy

Jonathan Kennedy

Director of Arts in India, British Council

Jonathan Kennedy Jonathan joined the British Council in February 2019. As the Director Arts India for the British Council, Jonathan is responsible for leading the international arts and culture strategy, managing stakeholder relationships across government and the creative industries; and conceptualizing major programmes to promote and strengthen India-UK cultural relations through collaboration, connections and creative partnerships.  British Council global arts and culture programmes in India aim to strengthen long-term systematic change for emerging and established arts Festivals, Crafts, Literature and Publishing and Heritage sectors and in the Creative Economy domain through research and skill building. We champion digital innovation, equality of opportunity and women’s empowerment in partnerships with the UK. In 2022 British Council marks India’s 75 th anniversary of independence with the major India/UK Together, Season of Culture. Jonathan has substantial experience in leading arts companies in the UK including theatre producing, arts management and international cultural exchange. From 2007 – 2019 he was Executive Director of Tara Arts, contributing especially to the major 2.8 million GBP capital re-development of Tara Theatre and the launch of the Black Theatre Live national touring consortium. Before Tara Arts he was Arts Programmes Manager of Croydon Clocktower and Head of Studio and Programme Development at Wimbledon Theatre. In the UK he was a regular guest lecturer in all aspects of theatre producing, leadership and arts management at Birkbeck College, South Bank University, Goldmiths University of London, King’s College London and St Mary’s University of Minnesota.

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Collaborations

UNESCO
UNESCO
Federation of Indian Chambers of Commerce and Industry
Federation of Indian Chambers of Commerce and Industry
Museum of Art and Photography
Museum of Art and Photography
Bangalore International Centre
Bangalore International Centre
Teamwork Arts
Teamwork Arts
Art Links Learning
Art Links Learning


Blog

G20

The Group of Twenty (G20) is the premier forum for international economic cooperation. It plays an important role in shaping and strengthening global architecture and governance on all major international economic issues. Argentina, Australia, Brazil, Canada, China, France, Germany, India, Indonesia, Italy, Japan, the Republic of Korea, Mexico, Russia, Saudi Arabia, South Africa, Türkiye, the United Kingdom, and the United States are the 19 countries along with European Union form part of Group of Twenty (G20). These G20 members represent around 85% of the global GDP, over 75% of the global trade, and about two-thirds of the world population.


Culture in G20

Culture has been acknowledged as an enabler of growth and sustainable development at an international level. The G20 Declaration of Culture has listed major priorities which include the protection of cultural heritage, culture and the climate crisis, culture and education, creative industries, and digital transition for culture. During the Roman Declaration in the year 2021, G20 Ministers firmly positioned culture as an engine for propelling sustainable socio-economic recovery. The period of Covid 19 pandemic has further led the global community to recognize the catalyzing power of culture in uniting the people to protect the global commons using cultural resources. This led to the establishment of culture as a ‘global public good’ as a specific goal in the post-2030 development agenda. Culture, commerce, connectivity, and collaboration have become the crucial pillars of the course of empowerment of today’s global developmental scenarios.


Integrating Technology with Culture

Digital technologies and innovations have shaped almost every aspect of our lives over the past few years. The profound impact of the digital era is also seen in the cultural sector. It is used by cultural institutions and professionals in various ways to ensure the transmission of vital information regarding heritage in a state of irreversible damage. Digital curation has allowed audiences to experience various kinds of works, ranging from theatre productions or concerts to exploring the cultural riches of a museum or a particular heritage site. Cultural digitization is expanding and it has started to include not just familiar web platforms and technologies or social media tools but also newly emerging technologies like artificial intelligence, augmented and virtual reality as well as robotics. The world of art and culture looks forward to a completely new revolution of preserving, creating, accessing, and experiencing it. Digital technologies like satellite imagery are used to assess the damage to the Ancient City of Aleppo, and 3D documentation of buildings, monuments, and sites across the world is done by UNESCO.


Artificial Intelligence and culture

An extensive branch of computer science concerned with building intelligent machines capable of performing tasks that typically require human intelligence can be defined as Artificial Intelligence (AI). AI beholds the future as both a tool and a collaborator in the cultural sector. AI unlocks endless possibilities in the process of the creative process for artists, craftsmen, technologists, curators, and all professionals in cultural institutions to not just solve problems but also to innovate, challenge themselves and create and find new approaches to engage the audiences. Sustainable Environment and Ecological Development Society (SEEDS), a disaster management non-profit uses technology to help vulnerable people build long-term resiliency against climate change. Interwoven is another platform by the Museum of Art and Photography developed using AI and machine learning around textile collections. AI-based apps are developed in collaboration with Sol LeWitt Estate which allows the audience to experience the process, life, and works of the artist during a museum visit.




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